By Gautham Menon has worn numerous hats in the creative realm over the years, transitioning from filmmaker to actor and musician. In a recent conversation, he delves into details about his upcoming directorial venture, “Joshua Imai Pol Kaakha” (JIPK), the delays in his film releases, and his perspective on the future of his acting career.
‘THERE ARE 10-12 ACTION SEQUENCES IN MY FILM’
JIPK is an experimental action film featuring pulsating action sequences. The film boasts 10–12 dynamic action sequences that intricately weave into the narrative. This venture marks a departure for Menon, exploring the action genre more intensely compared to his earlier works like “Kaakha Kaakha” and “Vettaiyaadu Vilaiyaadu,” which were police procedurals and thrillers with underlying love stories.
‘I DON’T THINK I HAVE ANY PROBLEM WITH MAKING MY FILM LOOK CURRENT’
Gautham Menon reflects on the enduring appeal of his past films, such as “Minnale,” “Vettaiyaadu Vilaiyaadu,” “Vaaranam Aayiram,” and “Vinnaithaandi Varuvaayaa,” all released between 2001 and 2010. These films continue to resonate with audiences, dispelling any concerns about the timeless quality of his work. He expresses confidence in keeping his filmmaking style current, and as long as he enjoys the process, he sees no impediments to staying relevant.
ON WORKING WITH A RELATIVE NEWCOMER LIKE VARUN…
The decision to collaborate with Varun stemmed from an offer he received, and Menon found the actor suitable for a specific idea he had in mind. The concept revolved around a close protection team tasked with safeguarding a woman, and Menon believed Varun’s agility and comfort in the action space made him an ideal fit for the role. Varun’s commitment and training for specialized action sequences in Paris further affirmed Menon’s choice.
On rediscovering himself as a director
Menon acknowledges that “Vendhu Thanindhathu Kaadu” marked a substantial shift in genre for him, exploring a rural subject with a protagonist traversing from a village to Bombay. Describing it as a discovery, he notes that “Joshua Imai Pol Kaakha” represents a rediscovery, with the film’s screenplay crafted around meticulously designed action sequences involving assassins and local gangsters. The movie holds significant importance for Menon in his cinematic journey.
